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Ghostbusters slimer

Ghostbusters Slimer

Slimer ist eine Figur aus dem Ghostbusters-Franchise. Er erscheint in den Filmen Ghostbusters, Ghostbusters II, Ghostbusters: Afterlife und dem Remake Ghostbusters in der Zeichentrickserie: The Real Ghostbusters, Slimer! von Ergebnissen oder Vorschlägen für "Ghostbusters Slimer". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon Prime. GRATIS-​Versand. von 64 Ergebnissen oder Vorschlägen für Spielzeug: Plüschtiere: "​Ghostbusters Slimer". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon. Schau dir unsere Auswahl an ghostbuster slimer an, um die tollsten einzigartigen oder spezialgefertigten handgemachten Stücke aus unseren Shops für. PLAYMOBIL Ghostbusters: Slimer mit Hot Dog Stand (). Ingolstadt. Heute,

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Ghostbusters Slimer

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Ghostbusters Slimer -

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Egon, Kylie, and Ray thought Slimer claimed he was once a king in his past life. They took the bait and scrambled to document what just happened.

Peter thought of one more thing. Slimer "confessed" Ray fed him Egon's stash of snack cakes to see if they would digest differently.

Egon was irate. Peter was amused with himself and paid off the teenagers for helping him. Slimer, while still in the tank, appeared on the Ghostbusters commercial with Egon.

During a state of dimensional overlap, the Ghostbusters met another alternate team. Kevin Beckman was excited by his new surroundings.

Egon Spengler told him if he was good, he could name the green ghost. Kevin decided on "Kevin Junior". As Jillian Holtzmann observed the properties of the research tank, Slimer screamed at her.

Abby Yates mistook Slimer as their dimension's counterpart but Holtzmann reminded her they blew that one up during the Mercado Hotel battle.

Slimer screamed at them. They got scared and hid behind Jenny then kissed Walter Peck at the same time.

Slimer ate some chicken in the Paranormal Containment Research Tank when Starscream flew upstairs through the floor.

Starscream modified his size and looked around for technology he could make use of. Starscream was disgusted and called Slimer a bag of human excrement.

He believed it was merciful to blast it out of its misery. Starscream's attack deflected off the ionized glass. Peter informed him the glass was impervious to ghosts.

He is never dispersed nor trapped in the course of the story. Continuing from the first movie , Slimer actually stuck around the Ghostbuster headquarters.

He apparently was feeling lonely and the Ghostbusters were the only ones who paid attention to him. He mainly stayed hidden until being drawn out because of his appetite.

The Ghostbusters at first reacted negatively to him, but as he hung around they started to tolerate him and even treat him like a friend.

Ray gave him the name "Slimer" just to annoy Peter. Slimer was finally accepted as a pet ghost after helping the Ghostbusters stop the Anti-Ghostbusters.

Throughout the years, Slimer aided the Ghostbusters whenever a ghost was needed for the situation. Because he helped the Ghostbusters, Slimer had a large number of problems of his own.

Many ghosts considered Slimer a "traitor" amongst ghosts for his compassion with the humans. This often put Slimer on bad terms with many villains who faced the Ghostbusters.

For more information of the animated version of this character go to the animated article. You capture Slimer once, at the start of the game.

He somehow escapes the Containment Unit and just floats around. The player can tap on him for a daily reward.

Throws slimeballs around and provides daily rewards. Slimer is a "focused, non-terminal repeating phantasm or a class 5 full roaming vapor" made of pure Ectoplasm.

Prior to his first run-in with the Ghostbusters, Slimer had been haunting the five-star Sedgewick Hotel, specifically the 12th floor.

Slimer is well-known for a voracious appetite and leaving slime behind after passing through solid objects This rascal is pretty fast!

Be prepared to lose Line of Sight and lose attached Streams every so often when fighting Slimer. Since that makes it move 2 spaces towards you, it is best to engage tis Ghost from 3 spaces away.

The Proton Stream that traps it does not trigger its "When Hit" ability. Instead, resolve its "When Trapped" ability.

If you miss Slimer with your Proton Roll, it Slimes each Ghostbuster adjacent to it you and any teammates , and then moves 2 spaces in a random direction.

You are likely to lose LoS to Slimer when it runs. A tactical repositioning is sometimes more important than shooting at a Ghost.

Slimer is one of the few Ghosts who will leave the map and not become permanently lost. When it leaves the map, continue Slimer's movement in that same direction, but emerging from the opposite side of the map, in a wrap-around style.

Throughout the first film , Slimer appears to lack intelligence and was all about getting a good snack.

It was normally a shy ghost but was not afraid to slime when cornered. In the second movie , it appears that Slimer had become more intelligent and could drive a bus.

So far, in the video game and cartoon he has grown in intelligence and seems to understand basic human concepts. And a real nasty one at that.

Ray posited Slimer is a representational force of gluttony given form with partially humanoid characteristics and tendencies.

Originally in the Ghost Smashers script, the tone of the movie was darker and Slimer wasn't as cute as he later became.

After chasing the apparition -- described as 'onion-headed' at one point -- through the rustic guest home, the Ghost Smashers cornered it in the basement, encircled it with nutrona beams and maneuvered it into a small collapsible trap.

In the script for Ghostbusters, Slimer is never actually called by any name, so is never given one. The creature's original moniker was simply The Onionhead Ghost, which the film crew semi-officially dubbed him because of his horrible odor, which he used to scare a couple in a scene cut from the original movie.

Steve Johnson worked on hundreds of Slimer variations over a period of six months. At first, they asked for a "smile with arms" then started nitpicking, asking for ears, then no ears, less pathos, more pathos, a bigger nose, a smaller nose, more cartoony, and less cartoony.

It wasn't until the day before the deadline for the design, in July , that Johnson was told they wanted Slimer to look like John Belushi.

With less than 24 hours, Johnson pulled out a stack of headshots of Belushi, did some cocaine, and went to work. During a bout of delusional paranoia that night, he thought Belushi's ghost came to help him finish the design by giving him words of encouragement and modeling.

The ghost parted ways with him, warning that cocaine will kill him. The next day, the submitted design was approved. One was for smiling, one was for looking scared, and one was for drinking.

A miniature was made for long shots of it flying around the hotel chandelier but it wasn't used. The flexible jaw mechanics were made from stainless steel bands commonly used for strapping crates together.

The bands allowed the mouth to be opened and closed and also flexed into extreme expressions. For the live action set, in the scene where Ray spooks Slimer, a room service cart trailed after him.

The cart was motorized and piloted from underneath by one of Chuck Gaspar 's crew. Naturally, when the cart crashes, the driver is not present.

The shot of Slimer phasing through the wall was shot at Entertainment Effects Group and incorporated optically later on.

During effects photography, the suit was worn by Mark Wilson. Wilson's legs were concealed with black velvet. A team of puppeteers dealt with facial expressions.

Wilson worked with oversized props so the ghost would appear smaller after composited into live action. When the cartoon series was produced, in response to the name much given to the character by audiences, the writers renamed the green ghost "Slimer", and the name stuck on all subsequent Ghostbusters properties he was even named Slimer in the end credits of Ghostbusters II, but a character never actually referred to him as Slimer in the film canon until Ghostbusters: The Video Game , although he was referred to as "The Green Ghost" early in the related toy line.

In later releases of his first figure, an extra label was applied specifying "Known as 'Slimer' in the 'Real Ghostbusters' TV show.

Slimer wasn't always a definite part of the Ghostbusters II script. It was a matter of considerable debate if he should appear at all.

Slimer's appeal, luckily, was very universal among children thanks in part to the first movie and The Real Ghostbusters. Slimer was given a subplot and written into movie - Slimer would eat various foods in the Firehouse while Louis Tully would try to trap him then they would become friends.

Michael Gross requested elements of the first movie and animated version of Slimer to be incorporated into the movie. Tim Lawrence and Thom Enriquez worked on a new design.

Meanwhile, Bobby Porter was called into portray Slimer. Some of the technology and techniques used for Nunzio Scoleri were used for Slimer - the divided head construct, pneumatic jaws, SNARK and a fat suit - a departure from the first movie where he was hand puppeteered.

Then Slimer was removed from the script. Porter was released. Two weeks later, Slimer was back in the script and had a bigger role.

However, Porter was no longer available. Effects coordinator Ned Gorman remembered working with Robin Navlyt on "Willow" and she was brought in.

Surprisingly, she was the same height as Porter and fit into the suit very well. Chris Goehe and his mold shop crew made a full lifecast on her and Al Coulter worked on a new skullcap.

The Slimer shoot was finished close to the first day of shooting. Michael Gross was onhand to push the crew to keep Slimer subtle and reduce any complicated approaches to moving him.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. I think I worked on that game longer than I worked on any other game in my life, I think for five years.

I was the first one recorded and I was the last one recorded. Paragraph reads: "Our best guess at the ghost's origins dates back to the apocalyptic Cult of Gozer, which held meetings at the Sedgewick in the early s, went awry.

Ray Stantz says: "It says the hotel played host to our friends in the Gozerian Cult up through or so, where as an incentive to draw Gozer to this dimension Ray Stantz says: "The author supposed they were trying to conjure a true hungry spirit, a ghost whose appetite can be never be sated.

Tobin agreed with that interpretation. Paragraph reads: "According to our research, it's most likely that the cult's rituals conjured a "hungry spirit" - a ghost that can never sate its inhuman appetite - as a destructive punishment for the world.

Paragraph reads: "This spirit, which had been haunting the twelfth floor of the Sedgewick Hotel on Park Avenue since the mids, became the subject of the first full field test of the Ghostbusters' proprietary equipment.

Paragraph reads: "During the encounter, a messy collision with our colleague Dr. Venkman led us to nickname the ghost "Slimer".

Kylie Griffin says: "Well, we know that it was anchored to the Sedgewick Hotel. Ghostbusters: The Board Game , p. Ray Stantz says: "I'd say it was never human.

It's simply a representational force given form with partially humanoid characteristics. And tendencies. Empire Magazine , p.

Dan Aykroyd writes: "The tone was much darker. Slimer wasn't so cute. Making Ghostbusters , p. Paragraph reads: "Overall, the Onionhead entrapment follows -- with a fair degree of faithfulness -- the opening sequence in Dan Aykroyd's solo script.

As originally drafted, the Ghostbusters respond to a call from the Greenville Guest House regarding the discovery in the kitchen of gluttonous yellow mist or grotesquely altered human form -- a 'FRVP' or 'free-repeating vaporous phantasm' in ghostbusting lingo.

After chasing the apparition -- described as 'onion-headed' at one point -- through the rustic guest home, the Ghostbuster corner it in the basement, encircle it with nutrona beams and maneuver it into a small collapsible trap.

Paragraph reads: "Although never specifically named in the film, the hotel apparition was to become known within the production unit as the Onionhead ghost -- so dubbed because of the horrible stench which emanated from it, rather than any physical resemblance to an onion.

Though the malodorous aspect of the creature was dropped when the newlywed scene was cut -- primarily because to visually support the notion would have required massive amounts of exacting, hand-rendered animation during the postproduction effects phase -- the name 'Onionhead' persisted among members of the crew.

I was three grams into the night and in a cocaine-induced delusional paranoia and I literally thought that John Belushi's ghost came to me to help me out.

Paragraph reads: "After going through an evolutionary design process, the hotel ghost finally emerged as a green, potato-shaped creature -- and it was at this point, in July, that its description as such was incorporated into the script.

Prior accounts were less specific, indicating merely that it was an incredibly foul-smelling amorphous vapor.

Paragraph reads: "Steve Johnson adds finishing touches to a miniature clay prototype of the Onionhead ghost.

In all, three large-scale Onionheads were constructed -- one for smiling, one for looking frightened and one for use in the drinking scenes.

A miniature Onionhead was fabricated for long shots of it swishing about the hotel chandelier, but was never used. Paragraph reads: "Sculptor Marc Siegel at work on the terror-stricken version of the Onionhead.

Once completed, the figure was cast in the form of a foam latex suit, with facial articulations achieved through cable mechanisms.

Paragraph reads: "The room service cart which trails along behind the Onionhead as it flies through the hotel corridors was actually a motorized vehicle, piloted from underneath by one of Chuck Gaspar's crew members.

For the scene where it crashes and overturns, the driver was removed and the cart merely pushed into the wall. The ghost itself -- which passes through the solid surface leaving a slimy, dripping residue behind -- was shot on stage at Entertainment Effects Group and incorporated optically in the live-action photography.

Paragraph reads: "During effects photography, the Onionhead suit was worn by Mark Wilson. Full-figure shots required that his legs -- which extended out from beneath the legless torso -- be draped with black velvet for maximum concealment.

Although Wilson provided the major movements for Onionhead, a team of puppeteers -- wearing helmets or behind plexiglass in this food-throwing scene -- produced the more subtle, cable-actuated expressions.

Oversized props were used so that when composited with live-action, the ghost could be made to appear smaller than human-size.

Ghostbusters Revisited , Cinefex magazine 40, page Cinefex, USA. By the time of the second movie there were essentially three previous Slimer designs and I was tasked with combining them into a new form that included elements from all: the 'monster' from the first movie, the 'character' from the Saturday cartoon and the Tom Enriquez 'storyboard' Slimer.

Ghostbusters Revisited , Cinefex magazine 40, page 18 footnote. Joe Medjuck says: "One day, during preproduction, we were all sitting around talking about the Onionhead concept, and Ivan remarked that the character was sort of like Bluto in Animal House -- like the ghost of John Belushi, in a way, Danny, who was obviously a good friend of John's, never argued with that.

Even so, we never officially said that and we never mentioned it in the script. It was just one way to look at the character, because Onionhead's grossness is like Bluto's in Animal House.

We certainly never expected anyone to recognize him as such, although somehow the word did get out and we received some calls from a few newspapers saying they'd heard we had the ghost of John Belushi in our movie.

Dan Aykroyd says: "So, in reading the literature and reading about full head and torso apparitions, I found out that it is very rare that you see a full figure -- it is usually just a hint of the former being.

The Onionhead is a vapor -- a kind of confluence of stored up psychic energy. He's an accumulation of spirits that haunt this hotel, and he just doesn't want to leave.

Harold Ramis says: "Thelma Moss, of the parapsychology department at UCLA, told me after seeing the movie that one of the classic types of hauntings is known as the hungry ghost -- a ghost who just eats and drinks.

We didn't know that when we wrote the Onionhead into our script, but it's a nice coincidence. Ghostbusters - Commentary DVD ts.

Columbia TriStar Home Video. Ivan Reitman says: "I actually do the voice, the deep voice of I did Slimer and the voice that comes out of her here.

Paragraph reads: "In an unusual twist on the directorial cameo, Dana's demonic voice -- reminiscent of Mercedes McCambridge's intonations in The Exorcist -- was actually that of Ivan Reitman.

Reitman, in fact, provided all of the unearthly voices in the film, except that of Gozer. Paragraph reads: "Joe Day applies 'ectoslime' to Bill Murray.

In reality, the gooey substance was derived from methylcellulose ether -- a powdered thickening agent used in pharmaceuticals and food products.

Columbia Pictures. Terry Windell says: "And there was some sequences where he was supposed to be up in the chandelier and there was a little guy made and at great expense we learned to make a proper streak that was needed for the shot, it wasn't small enough.

And it being the 12th hour and we had to get the shot out, we basically spray painted a peanut green. Paragraph reads: "As an afterthought during postproduction, Ivan Reitman decided to add a last-minute reprise by the Onionhead ghost - a final audience zinger misinterpreted by many as implying a sequel.

Cinefex 40 , p. Paragraph reads: "That was Black Tuesday - we were all very disappointed. The word came down to release Bobby from the show, and I asked them to wait - to be very sure that Slimer was in fact gone before letting the guy go upon which everything had been custom fit.

Slimer is a character from the Ghostbusters franchise. In The Real Ghostbusters , he is the Ghostbusters' mascot and friend unlike the films, where he is just a ghost who needs to be busted.

In the script for Ghostbusters , Slimer is never actually called by any name, so is never given one. The creature's original moniker was simply "The Onionhead Ghost", which the film crew semi-officially dubbed him because of the horrible odor which he uses to scare a couple in a scene cut from the original movie.

In July , the final design came along and the 'green, potato-shape' was incorporated into the script. One was for smiling, one was for looking scared, and one was for drinking.

A miniature was made for long shots of it flying around the hotel chandelier but it was not used. For the live action set, in the scene where Ray spooks Slimer, a room service cart trailed after him.

The cart was motorized and piloted from underneath by one of Chuck Gaspar's crew. Naturally, when the cart crashes, the driver is not present.

The shot of Slimer phasing through the wall was shot at Entertainment Effects Group and incorporated optically later on.

During effects photography, the suit was worn by Mark Wilson. Wilson's legs were concealed with black velvet. A team of puppeteers dealt with facial expressions.

Wilson worked with oversized props so the ghost would appear smaller after composited into live action.

Slimer was not always a definite part of the Ghostbusters II script. It was a matter of considerable debate if he should appear at all.

Slimer's appeal, luckily, was very universal among children thanks in part to the first movie and The Real Ghostbusters.

Slimer was given a subplot and written into movie - Slimer would eat various foods in the Firehouse while Louis Tully would try to trap him then they would become friends.

Michael Gross requested elements of the animated version of Slimer to be incorporated into the movie. Tim Lawrence and Thom Enriquez worked on a new design.

Meanwhile, Bobby Porter was called into portray Slimer. Some of the technology and techniques used for Nunzio Scoleri were used for Slimer - the divided head construct, pneumatic jaws, SNARK and a fat suit - a departure from the first movie where he was hand puppeteered.

Then Slimer was removed from the script. Porter was released. Two weeks later, Slimer was back in the script and had a bigger role.

However, Porter was no longer available. Effects coordinator Ned Gorman remembered working with Robin Navlyt on Willow and she was brought in.

Surprisingly, she was the same height as Porter and fit into the suit very well. Chris Goehe and his mold shop crew made a full lifecast on her and Al Coulter worked on a new skullcap.

The Slimer shoot was finished close to the first day of shooting. Michael Gross was onhand to push the crew to keep Slimer subtle and reduce any complicated approaches to moving him.

In the script for Ghostbusters , and in the film itself, Slimer is never actually called by any name the term "slimers" is used to identify a kind of ghost.

The creature was called "The Onionhead Ghost" by the film crew, and in the film's closing credits, Steve Johnson is credited as the sculptor for "Onionhead".

When the cartoon series was produced, and in response to the name much given to the character by audiences, the writers renamed the green ghost "Slimer", and the name stuck on all subsequent Ghostbusters properties, including Ghostbusters II and Ghostbusters: Answer the Call , despite the character never actually being referred to as Slimer within either film.

Although Slimer was referred to as "The Green Ghost" early in the related toy line, in later releases of his first figure, an extra label was applied specifying " Known as 'Slimer' in the Real Ghostbusters TV show ".

The in-narrative explanation for Slimer's name was revealed in the eleventh episode of The Real Ghostbusters , "Citizen Ghost" first broadcast on November 22, A flashback depicting how the Ghostbusters made friends with Slimer reveals the ghost was so nicknamed by Ray Stantz.

Throughout the first film, Slimer appears to lack intelligence, only caring about gaining food to eat.

In the second movie, Slimer appears more fat and more intelligent, and could drive a bus Louis wonders who gave him a license.

The reboot features a different incarnation of Slimer, who savages a hot dog cart and, after an attack by the Ghostbusters, steals the Ecto-1 to go on a joyride with his girlfriend, Lady Slimer, and other ghosts.

It is explained that he was King Remils "Slimer" backwards , an obese king who died of heart failure, while a deleted scene from the Ghostbusters film was meant to expand on Slimer's rebooted continuity origins: when he was alive, Slimer was a gangster who killed a restaurant waiter that got his order wrong, resulting in his imprisonment and execution.

After his death, the Ghostbusters encounter him haunting the same restaurant, but due to the experimental nature of their equipment, they inadvertently disfigure him, destroying his legs and turning him green, before he escapes.

His usual territory was the twelfth floor, but his outings were usually non-violent and simply involved gorging himself on food from room service carts.

As a result, the hotel was able to keep a lid on the supernatural problems for a while. For some reason, Gozer's approaching time of arrival provoked Slimer and many other ghosts into being much more active than usual.

Eventually the staff could no longer keep the ghost a secret and called the Ghostbusters. However, the team had not yet fully tested their equipment and were not completely prepared for a full capture.

Ray Stantz attempted to hold Slimer by himself, but the ghost escaped through a wall, charged at Peter Venkman, and covered him in ectoplasmic residue.

Slimer fled into the hotel's Alhambra Ballroom, where the Ghostbusters successfully caught and trapped him after causing extensive property damage.

Stantz loaded him into the team's storage facility as a demonstration for Winston Zeddemore after the latter was hired to work for them.

He and all the other captured ghosts were released when Walter Peck ordered the facility to be shut down.

Slimer took refuge in a hot dog cart soon afterward, surprising the vendor greatly upon opening it. After the defeat of Gozer , the film's closing credits begin over scenes of the Ghostbusters being celebrated by the citizens of New York City.

The last shot of the film is Slimer flying towards the screen, after which the film cuts to black and the remainder of the credits roll.

Again voiced by Ivan Reitman , and now officially known as Slimer due to the popularity The Real Ghostbusters , Slimer first appears in Ghostbusters II when Louis Tully caught Slimer eating his lunch, to which the two of them fled in fear from one another.

In a deleted scene set between the scene with Dana's bathtub and the scene with Dana and Venkman going out for dinner mentioned in the novelization , Louis attempts to catch Slimer using a Proton Pack by baiting him with fried chicken.

In an attempt to patch up their initial misunderstanding, Slimer helped an exhausted Louis by giving him a ride to the Manhattan Museum of Art to which Louis wonders how he got a license to drive a bus.

Slimer appears in the film Ghostbusters: Answer the Call , voiced by Adam Ray and puppeteered by Ronald Binion who fit into the Slimer suit and Rick Lazzarini who operated Slimer's facial controls.

After Rowan North unleashes an army of ghosts upon New York City, the Ghostbusters see a green glow coming from a hot dog stand, and find Slimer inside.

Slimer promptly hijacks the Ecto-1 and rides off. The Ghostbusters are unable to stop him. Slimer is later seen driving the Ecto-1 around New York City and several of his ghostly friends.

While the original Slimer was created as an androgynous blob with no gender defining characteristics, Ghostbusters: Answer the Call introduces a female "Lady Slimer" character with red lipstick and a bow tie in her blonde hair.

The Ghostbusters later cause both Slimers to crash the Ecto-1 into the portal to cause "Total Protonic Reversal" and close the portal.

After the Ghostbusters stopped Gozer, they began rebuilding their Firehouse. During this process, the green ghost from the Sedgewick Hotel secretly observed them.

Once the Firehouse was fully restored, a celebratory dinner was held. The ghost made himself known and attempted to steal the food.

Janine Melnitz speculated the ghost was lonely and the Ghostbusters were the first humans to pay him any attention.

The Ghostbusters dismissed her theory. Over the next few months, they occasionally saw Slimer. Ray Stantz took a liking to the ghost and named him "Slimer" to annoy Venkman.

When the Ghostbusters were attacked by their ghostly doppelgangers , Slimer distracted the entities long enough for them to be drained of their energy.

The Ghostbusters were then able to overpower and trap them. The Ghostbusters agreed to adopt Slimer from then on.

For an official statement to the press given by Venkman, Slimer is allowed to freely roam for "scientific research being conducted".

In , Slimer got his own cartoon series primarily aimed at young children. Unlike previous series, Slimer was able to talk very well.

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Ghostbusters Slimer Video

Ghostbusters Slimer Green Ghost Slime Toy Review - Odd Pod

In the script for Ghostbusters, Slimer is never actually called by any name, so is never given one.

The creature's original moniker was simply The Onionhead Ghost, which the film crew semi-officially dubbed him because of his horrible odor, which he used to scare a couple in a scene cut from the original movie.

Steve Johnson worked on hundreds of Slimer variations over a period of six months. At first, they asked for a "smile with arms" then started nitpicking, asking for ears, then no ears, less pathos, more pathos, a bigger nose, a smaller nose, more cartoony, and less cartoony.

It wasn't until the day before the deadline for the design, in July , that Johnson was told they wanted Slimer to look like John Belushi.

With less than 24 hours, Johnson pulled out a stack of headshots of Belushi, did some cocaine, and went to work.

During a bout of delusional paranoia that night, he thought Belushi's ghost came to help him finish the design by giving him words of encouragement and modeling.

The ghost parted ways with him, warning that cocaine will kill him. The next day, the submitted design was approved.

One was for smiling, one was for looking scared, and one was for drinking. A miniature was made for long shots of it flying around the hotel chandelier but it wasn't used.

The flexible jaw mechanics were made from stainless steel bands commonly used for strapping crates together. The bands allowed the mouth to be opened and closed and also flexed into extreme expressions.

For the live action set, in the scene where Ray spooks Slimer, a room service cart trailed after him. The cart was motorized and piloted from underneath by one of Chuck Gaspar 's crew.

Naturally, when the cart crashes, the driver is not present. The shot of Slimer phasing through the wall was shot at Entertainment Effects Group and incorporated optically later on.

During effects photography, the suit was worn by Mark Wilson. Wilson's legs were concealed with black velvet.

A team of puppeteers dealt with facial expressions. Wilson worked with oversized props so the ghost would appear smaller after composited into live action.

When the cartoon series was produced, in response to the name much given to the character by audiences, the writers renamed the green ghost "Slimer", and the name stuck on all subsequent Ghostbusters properties he was even named Slimer in the end credits of Ghostbusters II, but a character never actually referred to him as Slimer in the film canon until Ghostbusters: The Video Game , although he was referred to as "The Green Ghost" early in the related toy line.

In later releases of his first figure, an extra label was applied specifying "Known as 'Slimer' in the 'Real Ghostbusters' TV show.

Slimer wasn't always a definite part of the Ghostbusters II script. It was a matter of considerable debate if he should appear at all.

Slimer's appeal, luckily, was very universal among children thanks in part to the first movie and The Real Ghostbusters. Slimer was given a subplot and written into movie - Slimer would eat various foods in the Firehouse while Louis Tully would try to trap him then they would become friends.

Michael Gross requested elements of the first movie and animated version of Slimer to be incorporated into the movie.

Tim Lawrence and Thom Enriquez worked on a new design. Meanwhile, Bobby Porter was called into portray Slimer. Some of the technology and techniques used for Nunzio Scoleri were used for Slimer - the divided head construct, pneumatic jaws, SNARK and a fat suit - a departure from the first movie where he was hand puppeteered.

Then Slimer was removed from the script. Porter was released. Two weeks later, Slimer was back in the script and had a bigger role.

However, Porter was no longer available. Effects coordinator Ned Gorman remembered working with Robin Navlyt on "Willow" and she was brought in.

Surprisingly, she was the same height as Porter and fit into the suit very well. Chris Goehe and his mold shop crew made a full lifecast on her and Al Coulter worked on a new skullcap.

The Slimer shoot was finished close to the first day of shooting. Michael Gross was onhand to push the crew to keep Slimer subtle and reduce any complicated approaches to moving him.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. I think I worked on that game longer than I worked on any other game in my life, I think for five years.

I was the first one recorded and I was the last one recorded. Paragraph reads: "Our best guess at the ghost's origins dates back to the apocalyptic Cult of Gozer, which held meetings at the Sedgewick in the early s, went awry.

Ray Stantz says: "It says the hotel played host to our friends in the Gozerian Cult up through or so, where as an incentive to draw Gozer to this dimension Ray Stantz says: "The author supposed they were trying to conjure a true hungry spirit, a ghost whose appetite can be never be sated.

Tobin agreed with that interpretation. Paragraph reads: "According to our research, it's most likely that the cult's rituals conjured a "hungry spirit" - a ghost that can never sate its inhuman appetite - as a destructive punishment for the world.

Paragraph reads: "This spirit, which had been haunting the twelfth floor of the Sedgewick Hotel on Park Avenue since the mids, became the subject of the first full field test of the Ghostbusters' proprietary equipment.

Paragraph reads: "During the encounter, a messy collision with our colleague Dr. Venkman led us to nickname the ghost "Slimer".

Kylie Griffin says: "Well, we know that it was anchored to the Sedgewick Hotel. Ghostbusters: The Board Game , p. Ray Stantz says: "I'd say it was never human.

It's simply a representational force given form with partially humanoid characteristics. And tendencies. Empire Magazine , p.

Dan Aykroyd writes: "The tone was much darker. Slimer wasn't so cute. Making Ghostbusters , p. Paragraph reads: "Overall, the Onionhead entrapment follows -- with a fair degree of faithfulness -- the opening sequence in Dan Aykroyd's solo script.

As originally drafted, the Ghostbusters respond to a call from the Greenville Guest House regarding the discovery in the kitchen of gluttonous yellow mist or grotesquely altered human form -- a 'FRVP' or 'free-repeating vaporous phantasm' in ghostbusting lingo.

After chasing the apparition -- described as 'onion-headed' at one point -- through the rustic guest home, the Ghostbuster corner it in the basement, encircle it with nutrona beams and maneuver it into a small collapsible trap.

Paragraph reads: "Although never specifically named in the film, the hotel apparition was to become known within the production unit as the Onionhead ghost -- so dubbed because of the horrible stench which emanated from it, rather than any physical resemblance to an onion.

Though the malodorous aspect of the creature was dropped when the newlywed scene was cut -- primarily because to visually support the notion would have required massive amounts of exacting, hand-rendered animation during the postproduction effects phase -- the name 'Onionhead' persisted among members of the crew.

I was three grams into the night and in a cocaine-induced delusional paranoia and I literally thought that John Belushi's ghost came to me to help me out.

Paragraph reads: "After going through an evolutionary design process, the hotel ghost finally emerged as a green, potato-shaped creature -- and it was at this point, in July, that its description as such was incorporated into the script.

Prior accounts were less specific, indicating merely that it was an incredibly foul-smelling amorphous vapor. Paragraph reads: "Steve Johnson adds finishing touches to a miniature clay prototype of the Onionhead ghost.

In all, three large-scale Onionheads were constructed -- one for smiling, one for looking frightened and one for use in the drinking scenes.

A miniature Onionhead was fabricated for long shots of it swishing about the hotel chandelier, but was never used.

Paragraph reads: "Sculptor Marc Siegel at work on the terror-stricken version of the Onionhead. Once completed, the figure was cast in the form of a foam latex suit, with facial articulations achieved through cable mechanisms.

Paragraph reads: "The room service cart which trails along behind the Onionhead as it flies through the hotel corridors was actually a motorized vehicle, piloted from underneath by one of Chuck Gaspar's crew members.

For the scene where it crashes and overturns, the driver was removed and the cart merely pushed into the wall.

The ghost itself -- which passes through the solid surface leaving a slimy, dripping residue behind -- was shot on stage at Entertainment Effects Group and incorporated optically in the live-action photography.

Paragraph reads: "During effects photography, the Onionhead suit was worn by Mark Wilson. Full-figure shots required that his legs -- which extended out from beneath the legless torso -- be draped with black velvet for maximum concealment.

Although Wilson provided the major movements for Onionhead, a team of puppeteers -- wearing helmets or behind plexiglass in this food-throwing scene -- produced the more subtle, cable-actuated expressions.

Oversized props were used so that when composited with live-action, the ghost could be made to appear smaller than human-size.

Ghostbusters Revisited , Cinefex magazine 40, page Cinefex, USA. By the time of the second movie there were essentially three previous Slimer designs and I was tasked with combining them into a new form that included elements from all: the 'monster' from the first movie, the 'character' from the Saturday cartoon and the Tom Enriquez 'storyboard' Slimer.

Ghostbusters Revisited , Cinefex magazine 40, page 18 footnote. Joe Medjuck says: "One day, during preproduction, we were all sitting around talking about the Onionhead concept, and Ivan remarked that the character was sort of like Bluto in Animal House -- like the ghost of John Belushi, in a way, Danny, who was obviously a good friend of John's, never argued with that.

Even so, we never officially said that and we never mentioned it in the script. It was just one way to look at the character, because Onionhead's grossness is like Bluto's in Animal House.

We certainly never expected anyone to recognize him as such, although somehow the word did get out and we received some calls from a few newspapers saying they'd heard we had the ghost of John Belushi in our movie.

Dan Aykroyd says: "So, in reading the literature and reading about full head and torso apparitions, I found out that it is very rare that you see a full figure -- it is usually just a hint of the former being.

The Onionhead is a vapor -- a kind of confluence of stored up psychic energy. He's an accumulation of spirits that haunt this hotel, and he just doesn't want to leave.

Harold Ramis says: "Thelma Moss, of the parapsychology department at UCLA, told me after seeing the movie that one of the classic types of hauntings is known as the hungry ghost -- a ghost who just eats and drinks.

We didn't know that when we wrote the Onionhead into our script, but it's a nice coincidence. Ghostbusters - Commentary DVD ts. Columbia TriStar Home Video.

Ivan Reitman says: "I actually do the voice, the deep voice of I did Slimer and the voice that comes out of her here. Paragraph reads: "In an unusual twist on the directorial cameo, Dana's demonic voice -- reminiscent of Mercedes McCambridge's intonations in The Exorcist -- was actually that of Ivan Reitman.

Reitman, in fact, provided all of the unearthly voices in the film, except that of Gozer. Paragraph reads: "Joe Day applies 'ectoslime' to Bill Murray.

In reality, the gooey substance was derived from methylcellulose ether -- a powdered thickening agent used in pharmaceuticals and food products.

Columbia Pictures. Terry Windell says: "And there was some sequences where he was supposed to be up in the chandelier and there was a little guy made and at great expense we learned to make a proper streak that was needed for the shot, it wasn't small enough.

And it being the 12th hour and we had to get the shot out, we basically spray painted a peanut green.

Paragraph reads: "As an afterthought during postproduction, Ivan Reitman decided to add a last-minute reprise by the Onionhead ghost - a final audience zinger misinterpreted by many as implying a sequel.

Cinefex 40 , p. Paragraph reads: "That was Black Tuesday - we were all very disappointed. The word came down to release Bobby from the show, and I asked them to wait - to be very sure that Slimer was in fact gone before letting the guy go upon which everything had been custom fit.

But release him they did. Two weeks later Slimer was not only back in, but he had a role of increased importance to the story. Janine says: "Oh.

Oh, he's all right. Paragraph reads: "During our encounter with Slimer, we noticed the lingering aftereffects of its presence: the persistent stench of rancid meat and increase in the heaviness of the air similar to stifling humidity.

There were also piles of chewed food and overturned furniture and an unusual amount of exuded ectoplasm. Notes reads: "A prime example of this is the green ghost in the lab's observation tank.

Abby Yates says: "We can't even get a ghost in a tank, but, oh, they sure have one! Kevin Beckman says: "Have you met Kevin Jr.?

Kylie Griffin says: "He means that green ghost in the cage. Memo reads: "These helper spirits--similar to but distinct from the European helper spirits such as Brownies, Kobolds, or Hobs--have taken on an appearance similar to the original Ghostbusters and the Sedgewick's Green Ghost.

Ray Stantz says: "Maybe the Green Ghost in the lab would be enough to -- hello? Bennett Davis says: "The damages were initially unacceptable Paragraph reads: "The Sedgewick Hotel, in which we trapped Slimer, was also host to a far more malevolent presence known as the Spider Witch.

Slimer in the ballroom drinking wine in Ghostbusters. Slimer as seen at the Hotdog stand in Ghostbusters.

Slimer picking up Louis Tully on a bus. How did he get a license? Slimer as seen in the Realistic Version playing with Venkman's psychology cards.

Slimer as seen in the Realistic Version up close near the Containment Unit. Slimer as seen in the Realistic Version in the hall.

Slimer as seen in the Realistic Version at the end. As seen in Legion miniseries. Slimer's Profile picture as seen in Stylized Version.

Slimer as seen in the Stylized Version attacking the Rookie. Slimer as seen in the Stylized Version enjoying the Mitzvah food.

Slimer in Ghostbusters: Sanctum of Slime seen on loading screen. Slimer seen in game on Ghostbusters: Sanctum of Slime.

As seen on What in Samhain Just Happened?! As seen on Ghostbusters: Infestation 2 Cover A. In Issue 2.

In Issue 4 Cover RI. In Issue 12 Cover RI. In Issue On Issue 15 Cover RI. As seen in Volume 2 Issue 3. As seen on Volume 2 Issue 6 Cover B.

As seen in Volume 2 Issue 7. Photo seen in Volume 2 Issue 9. As seen in Volume 2 Issue As seen on Volume 2 Issue 14 Sub Cover. As seen in Ghostbusters Volume 2 Issue As seen on Volume 2 Issue 20 Subscription Cover.

As seen on Ghostbusters Get Real Issue 2 subscription cover. As seen in Ghostbusters Annual As seen on Who Ya Gonna Call?

TPB front cover. As seen on page 13 of Tobin's Spirit Guide. As seen on Ghostbusters International 6 subscription cover.

As seen on Ghostbusters Annual Regular Cover. As seen on Ghostbusters Annual Subscription Cover. As seen in Ghostbusters 2.

As seen on Ghostbusters 6 Cover C. As seen on Ghostbusters Annual Cover B. Thom Enriquez prelim concepts, seen in Making Ghostbusters p.

Steve Johnson adds finishing touches to miniature Slimer clay prototype, seen in Making Ghostbusters p. Miniature Slimer clay prototype, seen in Making Ghostbusters p.

Mark Wilson filming as Slimer with puppeteers during effects photography, seen in Making Ghostbusters p.

The Ghostbusters later cause both Slimers to crash the Ecto-1 into the portal to cause "Total Protonic Reversal" and close the portal.

After the Ghostbusters stopped Gozer, they began rebuilding their Firehouse. During this process, the green ghost from the Sedgewick Hotel secretly observed them.

Once the Firehouse was fully restored, a celebratory dinner was held. The ghost made himself known and attempted to steal the food.

Janine Melnitz speculated the ghost was lonely and the Ghostbusters were the first humans to pay him any attention. The Ghostbusters dismissed her theory.

Over the next few months, they occasionally saw Slimer. Ray Stantz took a liking to the ghost and named him "Slimer" to annoy Venkman.

When the Ghostbusters were attacked by their ghostly doppelgangers , Slimer distracted the entities long enough for them to be drained of their energy.

The Ghostbusters were then able to overpower and trap them. The Ghostbusters agreed to adopt Slimer from then on.

For an official statement to the press given by Venkman, Slimer is allowed to freely roam for "scientific research being conducted". In , Slimer got his own cartoon series primarily aimed at young children.

Unlike previous series, Slimer was able to talk very well. Many episodes of Slimer! Like in the first film, he still haunts the Sedgewick Hotel, visiting it in many episodes as a visiting pest.

Slimer was given personal enemies in the show, such as an eccentric scientist named Professor Dweeb who wanted to capture Slimer in order to study him, an alley cat named Manx, a dog named Bruiser, and two ghosts named Goolem and Zugg.

In , when there was a sudden surge in supernatural activity, Slimer flew to Egon's class to inform him of the bad news.

After the formation of the "Extreme Ghostbusters", Slimer joined them in their cases. Slimer's appearance was slightly different from the previous series, as he had a ghostly tail and a slightly bigger face, which was less compacted than the previous series.

Slimer's voice was noticeably higher in pitch than in The Real Ghostbusters , because he was voiced by Billy West , instead of Frank Welker, who reprised his role as Ray in the two-part series finale "Back in the Saddle".

Slimer, as he appeared in The Real Ghostbusters , is among the various cartoon characters who help main character Michael turn away from drugs.

Egon Spengler is said to have used him for various paranormal studies a nod to the take on Slimer in The Real Ghostbusters.

The team finds him looking at the Containment Unit. Rookie and Ray pursued Slimer into the Sub-Basement but it escaped through a wall.

After the Sloth Ghost was recaptured, the Ghostbusters headed to the Sedgewick Hotel on Ray's hunch Slimer would return to his old haunt.

Sure enough, Slimer was found by Ray, Peter, and Rookie eating and drinking off someone's tray in front of Room Rookie took a shot but Slimer ran for it and tried to hide.

Rookie roused him out and Slimer flew off towards the elevators where he descended back to the ground floor but not before sliming Peter for a second time.

Slimer is joined by Bellhop Ghosts. With renewed paranormal activity, Egon opts to split up. Rookie and Peter are tasked with recapturing Slimer.

Peter regroups and leads Rookie through the kitchen to access the other entrance to the ballroom. Rookie and Peter successfully trap Slimer.

When Ivo Shandor shut down the containment grid, Slimer is among the escapees. After the Ghostbusters destroy Shandor and return to the physical plane, Slimer slimes Ilyssa Selwyn just as she and Peter are about to kiss in Central Park.

In the stylized version of the game, Slimer flies around, on the loose once again, as the Rookie fires on him during the credits. Slimer appears in Beeline 's Ghostbusters game for iOS.

The game was released on January 24, Slimer's role in the game is that Slimer escapes the Containment Unit and floats around the Ghostbusters Firehouse.

The player can tap on him for a daily reward, which increases in value if the player is consistent.

Slimer appears as a playable character in Lego Dimensions , packaged with the "Slime Shooter" vehicle, with Frank Welker reprising his voice role.

He makes cameo appearances in the main campaign, causing trouble for the heroes, while a bonus level adapting the first film recreates his original encounter with the Ghostbusters in the Sedgewick Hotel.

He also appears as a quest-giver in the Ghostbusters adventure world. He appears once again as part of the Ghostbusters Story Pack, recreating his role in the events of the rebooted film's story.

From Wikipedia, the free encyclopedia. Slimer Ghostbusters character Slimer in Ghostbusters Main article: Ghostbusters. Main article: Ghostbusters II.

Main article: Ghostbusters: Afterlife. Main article: Ghostbusters film. Main article: The Real Ghostbusters. Main article: Slimer!

Main article: Extreme Ghostbusters. Main article: Cartoon All-Stars to the Rescue. Main article: Ghostbusters: The Video Game.

Main article: Lego Dimensions. Making Ghostbusters , p. Joe Medjuck says: " One day, during preproduction, we were all sitting around talking about the Onionhead concept, and Ivan remarked that the character was sort of like Bluto in Animal House -- like the ghost of John Belushi, in a way, Danny, who was obviously a good friend of John's, never argued with that.

Even so, we never officially said that and we never mentioned it in the script. It was just one way to look at the character, because Onionhead's grossness is like Bluto's in Animal House.

We certainly never expected anyone to recognize him as such, although somehow the word did get out and we received some calls from a few newspapers saying they'd heard we had the ghost of John Belushi in our movie.

Paragraph reads: " Although never specifically named in the film, the hotel apparition was to become known within the production unit as the Onionhead ghost -- so dubbed because of the horrible stench which emanated from it, rather than any physical resemblance to an onion.

Though the malodorous aspect of the creature was dropped when the newlywed scene was cut -- primarily because to visually support the notion would have required massive amounts of exacting, hand-rendered animation during the postproduction effects phase -- the name 'Onionhead' persisted among members of the crew.

Paragraph reads: " After going through an evolutionary design process, the hotel ghost finally emerged as a green, potato-shaped creature -- and it was at this point, in July, that its description as such was incorporated into the script.

Prior accounts were less specific, indicating merely that it was an incredibly foul-smelling amorphous vapor.

Making Ghostbusters, p. Paragraph reads: " Steve Johnson adds finishing touches to a miniature clay prototype of the Onionhead ghost.

In all, three large-scale Onionheads were constructed -- one for smiling, one for looking frightened and one for use in the drinking scenes.

A miniature Onionhead was fabricated for long shots of it swishing about the hotel chandelier, but was never used.

Paragraph reads: " Sculptor Marc Siegel at work on the terror-stricken version of the Onionhead. Once completed, the figure was cast in the form of a foam latex suit, with facial articulations achieved through cable mechanisms.

Paragraph reads: " The room service cart which trails along behind the Onionhead as it flies through the hotel corridors was actually a motorized vehicle, piloted from underneath by one of Chuck Gaspar's crew members.

For the scene where it crashes and overturns, the driver was removed and the cart merely pushed into the wall.

The ghost itself -- which passes through the solid surface leaving a slimy, dripping residue behind -- was shot on stage at Entertainment Effects Group and incorporated optically in the live-action photography.

Paragraph reads: " During effects photography, the Onionhead suit was worn by Mark Wilson. Full-figure shots required that his legs -- which extended out from beneath the legless torso -- be draped with black velvet for maximum concealment.

Although Wilson provided the major movements for Onionhead, a team of puppeteers -- wearing helmets or behind plexiglass in this food-throwing scene -- produced the more subtle, cable-actuated expressions.

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